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Photographers of the African-American Civil Rights Movement : ウィキペディア英語版
Photographers of the African-American Civil Rights Movement

Beginning with the murder of Emmett Till in 1955, photography and photographers played an important role in advancing the African-American Civil Rights Movement by documenting the public and private acts of racial discrimination against African Americans and the nonviolent response of the movement. This article focuses on these photographers and the role that they played in the movement between 1954 and 1968, particularly in the South.
== Notable photographers and the roles they played ==

* Bob Adelman (1931) volunteered as a photographer for the Congress of Racial Equality (CORE) in the early 1960s and photographed the events and the now well-known people active in the Civil Rights Movement at the time.
* Dan Budnik (1933) persuaded ''Life'' to have him create a long-term photo essay documenting the Selma to Montgomery march. His photographs are now in the collection of the Martin Luther King, Jr. National Historic Site.
* Bruce Davidson (1933) chronicled the events and effects of Civil Rights Movement, in both the North and the South, from 1961 to 1965. In support of his project, Davidson received a Guggenheim Fellowship in 1962 and his finished project was displayed at the Museum of Modern Art in New York. Upon the completion of his documentation of the Civil Rights Movement, Davidson received the first ever photography grant from the National Endowment for the Arts.
* Bob Fitch was the Southern Christian Leadership Conference (SCLC) photographer in 1965 and 1966. His images includes school integration, voter registration actions, and candidate campaigns in Alabama, Mississippi and Georgia; the Mississippi James Meredith March Against Fear; and intimate photos of the King family during Dr. King's funeral. His pictures appeared nationally in Afro-American publications including Johnson Publishing's ''JET'' and ''EBONY''. Fitch's photos appeared in the 1997 Smithsonian Exhibit "We Shall Overcome", and his portrait of Martin Luther King, Jr. in his Atlanta, Georgia, office with a print of Mohandas Gandhi on the wall, is the model for the Martin Luther King, Jr. Memorial monument in Washington D.C.〔http://www.bobfitchphoto.com〕
* Jack T. Franklin (1922-2009) 〔http://www.philly.com/philly/obituaries/20090925_Jack_T__Franklin__87__civil_rights_witness.html〕
* Bill Hudson (1932–2010), an Associated Press photojournalist, depicted police brutality against peaceful protesters, including the police dogs attacking students marching to talk to Birmingham's mayor during the 1963 Birmingham Children's Crusade.
* Warren K. Leffler was a photographer for ''U.S. News & World Report'' during the civil rights years. Although based primarily in Washington, D.C., Leffler also traveled to the South to cover many of the main events for the magazine.
* James H. Karales (1930-2002), a photographer for ''Look'' magazine from 1960 to 1971, covered the Civil Rights Movement throughout its duration and took many memorable photographs including photos of SNCC's formation, of Dr. King and his associates, and, during his full coverage of the event, the iconic photograph of the Selma to Montgomery march showing people proudly marching along the highway under a cloudy turbulent sky. In 2013 a book of his photographs, ''Controversy and Hope: The Civil Rights Movement Photographs of James Karales'', was published by the University of South Carolina Press.
* Danny Lyon (1942) published his first photographs working for the Student Nonviolent Coordinating Committee. His pictures appeared in ''The Movement'', a documentary book about the Southern Civil Rights Movement, as well as ''Memories of the Southern Civil Rights Movement,'' his own memoir of his years working for SNCC.
* James "Spider" Martin (1939–2003) took photographs documenting the March, 1965 beating of many of the marchers during the first Selma to Montgomery march, known as “Bloody Sunday.” Speaking about the effect of photography on the Civil Rights Movement, Martin Luther King, Jr. said, "Spider, we could have marched, we could have protested forever, but if it weren't for guys like you it would have been for nothing. The whole world saw your pictures. That's why the Voting Rights Act was passed." 〔(【引用サイトリンク】 publisher =The Spider Martin Civil Rights Collection )
* Charles Moore (1931-2010), photographed a 1958 argument between Martin Luther King, Jr. and two policemen. His photographs were distributed nationally by the Associated Press, and published in ''Life'', and he began traveling throughout the South documenting the Civil Rights Movement. Moore's most famous photograph, ''Birmingham'', depicts demonstrators being attacked by firemen wielding high-pressure hoses. U.S. Senator Jacob Javits said that Moore's pictures "helped to spur passage of the Civil Rights Act of 1964."〔(【引用サイトリンク】 publisher = Kodak )
* Gordon Parks (1912-2006) was assigned by ''Life'' in 1963 to travel with Malcolm X and document the Civil Rights Movement.〔(【引用サイトリンク】 publisher = LBJ Library and Museum )〕 He was also involved with the movement on a personal level. In 1947, Gordon Parks documented Dr. Kenneth Clark's infamous Doll Test. It is those pictures, published in ''Ebony'' in July 1947, that were used as evidence in the ''Brown v. Board of Education'' trial and helped sway the ruling.
* Herbert Eugene Randall, Jr. (1936) photographed the effects of the Civil Rights Movement in Hattiesburg, Mississippi in 1964, at the request of Sanford R. Leigh, the Director of Mississippi Freedom Summer's Hattiesburg project. Randall spent the entire summer photographing solely in Hattiesburg, among the African-American community and the volunteers in area projects such as the Freedom Schools, Voter Registration, and the Mississippi Freedom Democratic Party campaign. Five of Randall's photographs were published in the summer of 1964, and one seen worldwide was the bloodied, concussed Rabbi Arthur Lelyveld, head of a prominent Cleveland congregation and former conscientious objector to World War II. In 1999 Randall donated 1,800 negatives to the archives of The University of Southern Mississippi in Hattiesburg. He and Bobs Tusa, the archivist at USM, wrote ''Faces of Freedom Summer'', which was published by the University of Alabama Press in 2001. ''Faces'' is the only record of a single town in the midst of America's Civil Rights movement.
* Moneta Sleet Jr. (1926-1996) won the 1969 Pulitzer Prize for Feature Photography for his photograph of Martin Luther King, Jr.'s widow, Coretta Scott King, at Dr. King's funeral. Sleet is the first African American man to win the Pulitzer, and the first African American to win award for journalism.

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